Types Of Antique Chairs

Types of antique chairs

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Set of 4 Solid Brass Stem Caster Heavy Duty & Safe for All Floors Perfect Replacement for Floor Mat Caster Wheels for Chairs/Tables/Furniture

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Types of antique chairs

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POLY & BARK Trattoria Side Chair in Black (Set of 4)

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Types of antique chairs

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Ashley Furniture Signature Design – Leahlyn Dining Upholstered Side Chair – Pierced Splat Back – Set of 2 – Medium Brown

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Types of antique chairs

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Flash Furniture 10 Pk. HERCULES Series 650 lb. Capacity Premium Black Plastic Folding Chair, 10-LE-L-3-BK-GG

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Types of antique chairs

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NATGAI 4-Pack 2-inch Antique Copper Ball Caster with 5/16" x 1 1/2" (8 x 38mm) Socket Type Mounting Stem, 360 lbs. Total Capacity

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Types of antique chairs

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Craftsman of the Cumberlands: Tradition and Creativity

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Types of antique chairs

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Christopher Knight Home Tufted Club Chair, Decorative Accent Chair with Studded Details – Brown

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Decor design

Decor design

Egyptian — 3000 B.C. to 500 B.C. Seems to have been derived largely from the Early Asian. It influenced Assyrian and Greek decorations, and was used as a motif in some French Empire decoration. Not used in its entirety except for lodge rooms, etc. Grecian — 700 B.C. to 200 B.C. Influenced by Egyptian and Assyrian styles. It had a progressive growth through the Doric, Ionic and Corinthian periods. It influenced the Roman style and the Pompeian, and all the Renaissance styles, and all styles following the Renaissance, and is still the most important factor in decorations today. Roman — 750 B.C. to 450 A.D. Rome took her art entirely from Greece, and the Roman is purely a Greek development. The Roman style “revived” in the Renaissance, and in
this way is still a prominent factor in modern decoration. Pompeian — 100 B.C. to 79 A.D. Sometimes called the Grecian-Roman style, which well describes its components. The style we know as Greek was the Greek as used in public structures. The Pompeian is our best idea of Greek domestic decoration. Pompeii was long buried, but when rediscovered it promptly influenced all European styles, including Louis XVI, and the various Georgian styles. Byzantine — 300 A.D. to 1450 A.D. The “Eastern Roman” style, originating in the removal of the capital of the Roman Empire to Constantinople (then called Byzantium). It is a combination of Persian and Roman. It influenced the various Moorish, Sacracenic and other Mohammedan styles. Gothic — 1100 to 1550. It had nothing to do with the Goths, but was a local European outgrowth of the Romanesque. It spread all over Europe, and reached its climax of development about 1550. It was on the Gothic construction that the Northern European and English Renaissance styles were grafted to form such styles as the Elizabethan, etc. Moorish — 700 to 1600. The various Mohammedan styles can all be traced to the ancient Persian through the Byzantine. The Moorish or Moresque was the form taken by the Mohammedans in Spain. Indian — 2000 B.C. to 1906 A.D. The East Indian style is almost composite, as expected of one with a growth of nearly 4,000 years. It has been influenced repeatedly by outside forces and various religious invasions, and has, in turn, influenced other far Eastern styles. Chinese — 3500 B.C. to 1906 A.D. Another of the ancient styles. It had a continuous growth up to 230 B.C., since when it has not changed much. It has influenced Western styles, as in the Chippendale, Queen Anne, etc. Japanese — 1200 B.C. to 1906 A.D. A style probably springing originally from China, but now absolutely distinct. It has influenced recent art in Europe and America, especially the “New Art” styles. Italian Gothic — 1100 to 1500. The Italian Gothic differs from the European and English Gothic in clinging more closely to the Romanesque-Byzantine originals. Tudor — 1485 to 1558. The earliest entry of the Renaissance into England. An application of Renaissance to the Gothic foundations. Its growth was into the Elizabethan. Italian Renaissance, Fifteenth Century — 1400 to 1500. The birth century of the Renaissance. A seeking for revival of the old Roman and Greek decorative and constructive forms. Italian Renaissance, Sixteenth Century — 1500 to 1600. A period of greater elaboration of detail and more freedom from actual Greek and Roman models. Italian Renaissance, Seventeenth Century — 1600 to 1700. The period of great elaboration and beginning of reckless ornamentation. Spanish Renaissance — 1500 to 1700. A variation of the Renaissance spirit caused by the combination of three distinct styles—the Renaissance as known in Italy, the Gothic and the Moorish. In furniture the Spanish Renaissance is almost identical with the Flemish, which it influenced. Dutch Renaissance — 1500 to 1700. A style influenced alternately by the French and the Spanish. This style and the Flemish had a strong influence on the English William and Mary and Queen Anne styles, and especially on the Jacobean. German Renaissance — 1550 to 1700. A style introduced by Germans who had gone to Italy to study. It was a heavy treatment of the Renaissance spirit, and merged into the German Baroque about 1700. Francis I — 1515 to 1549. The introductory period when the Italian Renaissance found foothold in France. It is almost purely Italian, and was the forerunner of the Henri II. Henri II — 1549 to 1610. In this the French Renaissance became differentiated from the Italian, assuming traits that were specifically French and that were emphasized in the next period.


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Buying List

Buying List


All about the house…

All about the house...

See my Design Tip on How to choose the PERFECT area rug for your room. Tips on choosing the right color, size and pattern for your table size and decor.


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PS素材

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This is a chart of different types of common chairs, used in a lesson about design and how one object can take on many different forms. Take the chart around your house and see what types of chairs you own. Identify any differences you see between your chairs and the closest matching chairs on the c…


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